Category Archives: Colour

Blending beauty

We had a fabulous workshop recently (apologies for the delay in this post, by the way, but work just gets in the way), with Jill Shepherd. Blending on the drum carder – and what fun we had!

The day was full of colour and texture, starting with us having to make a choice from this fabulous selection:

and thinking about contrast and textures (sparkly bits and silk, anyone?). We spread our choices out,

and then the fun began:

Along the way we were shown some useful tricks, like taking the fibre off the drum carder with a pair of chopsticks:

And we had some lovely blends to take home and spin up:

Thank you, Jill, for a great day!

Our AGM is fun!

There’s a common feeling that business, something like an AGM, of any group or club is potentially boring. Well, ours is not. First, we only spend about ten minutes doing the stuff that just has to be done. Then there’s lively debate and discussion about what speakers and activities we’d like for the next year (and we’ve got some great ones lined up; watch this space). There’s a lot of laughter. And of course there’s the plated lunch…

We do something for charity, and this year it was making twiddle muffs for dementia patients.

twiddle muff 1

The idea is to have a double-sided muff which combines texture and colour and three-dimensional objects and which can withstand commercial washing. These were spread out, and they were delightful.

twiddle muff 3

with a real feeling for design (twiddle muffs can sometimes seem madly random and a bit worrying – not these).

twiddle

Then there’s the competition, in memory of  one of our notable members. This year it was for a book cover, and there were some impressive entries across different crafts:

lace panel

We vote for the winner, hence the ‘Q’ label. And here is that winner,

book cover 2

Well, the winning book jacket, obviously. This is our winner:

winner!

(and note the beautiful garments worn by both women. What talent!)

The new schedule for 2017 will go up here, as soon as it’s all finalised. In the meanwhile, our next meeting is 12 January, for a spinning and weaving session.

Being free

The September meeting was a workshop with Bee Weir, and was very well attended: freeform knitting and crochet.

Bee’s own work is inspirational, and after some minutes spent fondling and examining and ooohing and aaahing (and buying things), we soon settled down. We’d been asked to bring along a selection of miscellaneous yarns and needles and hooks:

tools

and soon started work on our ‘scrumbles’. These are small pieces of freeform work which will eventually be pieced together to make something: a garment, perhaps, or a bag, or a cushion. They should be no bigger, apparently, than your hand, and we were all working away very quickly.

We started with a small square, then picked up stitches on one edge in another yarn and knitted a ribbed rectangle. Then, in another yarn, came a crochet triangle or, for those of us who don’t crochet, one in knitting. And then stitches were picked up for another – and so on.

working away

Bee gave us two vital tips: first, and especially if you anticipate making a garment, stay within one colour scheme, mixing and matching textures; second, ‘go as mad as you like’ within a manufacturer’s single range, as the colours generally tone. Yes, you are ‘going mad’, but you are doing so in an intelligent way: it’s not just grabbing anything and incorporating it. Scary!

Bee also pointed out that repeating a couple of the yarn choices with different textures can give a piece a balanced look – and recommended making lots of scrumbles and then piecing them together rather than one at a time.

Here is an assortment of some of our scrumbles at the end of the day:

scrumble central

many with embellishments for added interest (or as a useful covering for anything we weren’t quite happy about).

And here’s a gallery of the work we produced on the day, plus a detail of one of Bee’s bags (the last one, with the curl). Just click on an image for a slideshow:

Huge thanks to Bee for a fabulous day – so enjoyable!

Dyeing with leaves (and all sorts of weather)

The dyeing picnic this year was – um – let’s just say that we had every sort of weather possible except snow and thunderstorms. It really didn’t look promising at the start,

weather

as a few intrepid dyers gathered under the gazebo (the slightly less intrepid sheltered in the house for a bit). Our theme this year was dyeing with leaves, and there was a selection of leaves and a few prepared extracts for us to play with:

dye materials

Many had to be chopped, and soon we were all busy either chopping

chop chop

or attempting to shelter the stoves from the wind, which was blowing a hooley and seemed determined to blow out the gas burners. It did not win!

Yarn was soaking and soon the first dyepots were on: gorse with a copper solution, tansy with no mordant (and no picture, either) and fuchsia with vinegar as a modifier:

They were followed by privet with copper, blackberry leaves with alum, dock with copper, birch with alum, birch with copper, and finally, comfrey with copper and iron, from solution. We also had some crack willow in solution.

There were signs that the weather was improving and, dyebaths bubbling nicely, we broke for lunch. Lunch and the meringues from heaven:

yum

They’re traditional, honestly. You can’t dye anything at all without meringues. Really.

So what did we get, apart from sticky hands? The weather had indeed improved enormously; the sun came out, waterproofs could be dscarded, and though the wind hadn’t dropped, it did perform one very useful function: drying our skeins really quickly!

a few skeins

The pink, incidentally, is the fuchsia, and those are handspun skeins. Below are some commercially spun ones, which took the dyes differently (more thoroughly, generally, which is probably down to commercial scouring – but fuchsia here turned out khaki).

browns

It was a lovely day, weather or no weather. Here are some more images.

Thanks to Ann for her hospitality, and to Jean for the workshop, for all the hard work and the inspiration.

Felting the landscape

The felting workshops that we have always get the imagination going, and this year we were doing felted landscapes. People had been asked to find a photograph of a landscape they wished to try and convey in felt, and came along with images from a variety of sources.

felt this!

This astonishing aerial photograph by Yann-Arthus Bertrand fascinated one of our felters, while others had found pictures in magazines or in their own collections.

There were some examples ready to inspire us, with their felted alternatives,

examples

and soon people started building up their felted pictures (after they’d created some prefelt as a base, generally), keeping their chosen images to hand.

building up

(the finished version of this is in the gallery at the end of the post).

Everyone was felting away, sprinkling water around, rubbing their felted surfaces, and checking their images were being reflected in their felting.

in progress

 

And the results? Fantastic.

landscape

No apologies for having few words and lots of images here – check out the gallery for more. Just click on an image for a slideshow – and huge thanks to Jean for an inspiring workshop!

Berets, spinning, knitting and repairs

Our September meeting was one of our ‘spinning and weaving’ sessions, and for once we had some people weaving (usually people just bring wheels rather than looms) – finishing off the woven berets from our August workshop. Some were finished:

and some were still works in progress:

(There was another finished one, but the owner/creator said she was wearing it once only, and could not be persuaded to put it on for a photograph – off, it just didn’t have the same impact.)

Meanwhile, many of us were spinning, and colour seemed to be the order of the day, from orange

orange fluff

in fluff, and in spun form:

spun orange

to blues and violets, both spun and plied (and ready to go):

blues

The emphasis on colour seemed to have spread to the knitting members brought along as well:

wow

though some of us were also working in natural fleece colours.

One of the great things about the Guild is that it is a wonderful place to sort out problems, whether they involve techniques, useful tips which can help find a solution or straightforward running repairs…

repairs in progress

Next month’s meeting is the ‘Spinning to the Crimp’ workshop, which should be interesting. Don’t forget that you can check out the events page for information on what to bring along!

Yellow and blue make a whole range of greens

Our July meeting is always notable – it’s the dyeing picnic, when we get together with a whole load of pots and pans and buckets and plastic bags full of dyestuff and skeins and – well, that’s the general picture. And it’s fun. Huge amounts of fun.

This year the theme was ‘yellow and blue make green’. There were various things which would produce yellows – tansy, onion skins, gorse flowers,

gorse flowersmeadowsweet, willow leaves, heather tips, carrot tops, St John’s Wort and even some begonia flowers – and the aim was to dye our skeins in those and then, after lunch, overdye them in an indigo bath.

We mordanted our skeins first, and soon we were producing a good selection of yellows. Some people decided to do space dyeing, putting only parts of their skeins into the dyebath,  while others opted for dyeing the whole skein.

IMG_3112The skeins were rinsed off, and here you can see a good range of yellows:

yellowsand then we broke for lunch.

I know it’s not strictly dyeing as such, but the plate lunch is such an enjoyable part of the dyeing picnic, that we have to have a full-size pic:

puddings!And when we’d recovered from that lot, we went back outside for part 2.

The indigo bath.

skeins going into indigo

It’s quite fiddly, using an indigo bath when there are so many people involved. But we all understand the need not to disturb the water and thus oxidise the dyebath. In the words of Jenny Dean in Wild Colour, ‘It is crucial not to stir or agitate the vat, or to allow the fibres to drip into the vat. Oxygen will be introduced in this way, and the effectiveness of the vat will be reduced, eventually becoming useless’. We became much more hushed and noticeably calm and gentle around the indigo vat.

The magic of the colour as you gently slide a skein out and see the it change is always enthralling.

Coming out of the vatIt goes blue as the oxygen hits it…

skeins dryingand because our skeins were yellow and being overdyed, we got some fabulous greens:

greensQuite magical.

Here’s a gallery of the day; just click on an image for a slideshow as usual. You’ll notice that some people chose not to overdye all of their skeins, and that others had multi-coloured skeins or, in one case, some fabric samples. Typical of the variety we get at the dyeing picnic. Such a shame that it’s a whole year until the next one!

(The burnt orange of some of those skeins on the drying rack was from some astonishingly effective onion skins. Amazing!)